Pages

Showing posts with label trailers. Show all posts
Showing posts with label trailers. Show all posts

Sunday, September 23, 2012

Last Resort: "Pilot" Review

Note: Some spoilers follow for Last Resort – basically the same plot points revealed by the network in trailers for the past few months. But keep in mind, you can watch the full pilot online now, before it debuts on ABC.

Shawn Ryan has more than proven his TV mettle at this point, having given us the awesomeness of The Shield, while in recent years delivering terrific (even when frustratingly ratings-challenged) programming like Terriers and The Chicago Code.

All of which is to say, Ryan’s involvement immediately had me interested in Last Resort, the new ABC series he created with Karl Gajdusek (Dead Like Me). And the very happy news is, wow, does this show deliver. Last Resort is easily fall’s best new TV series.

Andre Braugher stars as Captain Marcus Chaplin, commander of the nuclear submarine the Colorado. When Chaplin is confronted with that horrific moment where he’s actually given orders to fire his nukes on Pakistan, the highly suspicious circumstances of the orders doesn’t sit right with either him or his XO, Sam Kendal (Scott Speedman). Chaplin’s instincts are correct, and his refusal to carry out the order without more information suddenly makes him and his crew enemies of the state, with their lives on the line.

With more than one crew member shocked (if not filled with outright rage) at his decisions, Chaplin impulsively takes the sub to a small, inhabited island – creating a new home base for all onboard, while they try to sort out why these insane turn of events have occurred and who is behind them.

Martin Campbell directed the pilot to Last Resort, and the action veteran brings to the proceedings the intensity and skill he gave Bond films GoldenEye and Casino Royale – giving the show a big, appropriately intense vibe almost from the start.

If I have any quibble about the Last Resort pilot it is that it does feel almost too jam-packed – if any series could have benefited from an old school two-hour “event” premiere episode, it would be this one. For instance, we might have spent a bit more time on the Colorado as the crew goes through a normal routine, as the episode, in the interest of brevity, begins with them rescuing a team of Navy SEALs (who are being suspiciously tightlipped about their own mission), and at first it’s easy to feel a bit out of sorts about what exactly is going on.

Overall though, Ryan, Gajdusek and Campbell are to be highly commended for efficiently and effectively conveying so much in just 44 minutes. Even with the limited time they have, they distinctly establish the characters and relationships on the Colorado before the true crisis begins, from Sam’s longing to get home to his wife, Christine (Jessy Schram), to the struggle the sub’s third in command, Lieutenant Grace Shepard (Daisy Betts), has establishing authority among certain members of the crew, thanks both to her gender and to her powerful Admiral father (Bruce Davison), who some feel helped secure her position.

The cast are excellent, with Braugher bringing exactly the right feel of leadership, intelligence and cunning to the role of Chaplin. We have to believe that Chaplin is a man with a long, honorable history in the military -- that his decision to not fire when ordered to do so would not be one he’d make lightly -- and Braugher is exactly the right actor to portray that history and someone who has to handle so much weight on his shoulders without crumbling under the pressure.

With just a couple of big scenes each, for the most part, plenty of other cast members quickly establish fertile ground to build upon – including Autumn Reeser as Kylie Sinclair, a D.C. power player who has a vested business interest in what’s happening on the Colorado, but is not simply the ice cold opportunist she appears to be; Daniel Lissing as one of those aforementioned Navy SEALs hiding secrets of his own; and Dichen Lachman, Sophie Girard and Sahr Ngaujah as residents of the island the Colorado arrives at, who quickly have to make some big adjustments to their lives.

An alum of Ryan’s previous military-based series, The Unit, Robert Patrick, is great as Master Chief Joseph Prosser, conveying a complicated mixture of character traits, as Prosser is clearly old fashioned and rigid, but also doing what he feels is right through and through…. In what is possibly a combustible combination.

Last Resort has such a tense, “How will this be resolved?!” scenario, it’s hard not to also wonder, “How do you sustain this for several years?”, if it finds its deserving success. But the pilot feels so confident and powerful, I’m more curious than concerned when it comes to answering that second question.

It’s rare to have a truly terrific pilot episode. By their very nature, they are just chapter one in what’s meant to be a long story - burdened with establishing the overall situation and filled with exposition and introductions. Last Resort stands out as one of those shows that grabs your attention from the get go and delivers a tricky balance of strong character beats and big action set pieces. Don’t miss this one.

Last Resort premieres Thursday, September 27th at 8pm on ABC.

Eric Goldman is Executive Editor of IGN TV. You can follow him on Twitter and IGN.


Source : ign[dot]com

Friday, August 17, 2012

Stallone vs Schwarzenegger: Battle of the Trailers

With cinema’s greatest action heroes going toe-to-toe in The Expendables 2 this week, the powers that be decided it would be a good time to launch the trailers of two action movies starring the two biggest stars of them all last night.

Bullet to the Head is an ‘80s action throwback that stars Sylvester Stallone, while The Last Stand is an '80s action throwback that stars Arnold Schwarzenegger.

So with these two long-time rivals going head-to-head, we thought we’d pit their trailers against each other in a winner-takes-all deathmatch. So read on to find out if Sly or Arnie comes out the other side victorious.

THE PLOT

Bullet to the Head

Sylvester Stallone stars as a New Orleans hit-man who teams up with a New York City cop to bring down the killers of their respective partners.

The Last Stand

Arnold Schwarzenegger plays a small-town sheriff who is forced to put his life on the line when a drug-lord enters his jurisdiction while making a break for the border.

THE ACTION

Bullet to the Head

The trailer kicks off with a near-naked Stallone – save for a pair of boxer shorts – kicking the proverbial out of someone poor unfortunate soul in what looks like a bath-house. There follows several montages of quick-fire punch-ups and bodies falling from tall buildings alongside shots of cars blowing up. Lots of shots of cars blowing up.

The Last Stand

Arnie’s film kicks off with a spectacular car stunt involving lots of guns and bullets and continues in this vein, with The Last Stand clearly featuring more than its fair share of car chases, including one involving a school bus. Schwarzenegger himself gets thrown through a door before putting the beat down on one of the baddies, and it concludes with the money shot – Arnie firing a shotgun with purpose, Terminator-style.

THE DIALOGUE

Bullet to the Head

Stallone does tough: “You know who I am? A problem solver. I take out the trash.”

Stallone does racist: “What are you going to do – bring out some kung fu from the homeland?”

Stallone makes a threat: “I swear to you when I get this guy, it’s going to be bad.”

Stallone does funny: “Are we gonna fight, or are you planning on boring me to death?”

The Last Stand

Schwarzenegger gets it wrong: “It’s my day off – should be a quiet weekend.”

Schwarzenegger does serious: “I’ve seen enough blood and death – I know what’s coming.”

Schwarzenegger makes a threat: I’m not going to let that guy come through our town without a fight.”

Schwarzenegger does funny: “How are you sheriff?” “Old!”

THE CO-STARS

Bullet to the Head

Christian Slater, looking like he’s about to get a bullet to the head.

The Last Stand

Johnny Knoxville, looking like he’s channelling his character from The Ringer.

THE STARS

Bullet to the Head

Stallone is looking as tough as he’s ever been in Bullet to the Head, cracking bones and gags with the effortlessness of an experienced pro. Judging from the top-less brawl he’s still in good shape, while the tag-line reads ‘Revenge never gets old,' and from this trailer it appears that neither does Sly.

The Last Stand

Schwarzenegger is looking a little creaky in this one, although that might be because the trailer plays upon his aging sheriff enjoying the quiet life in a small town. That said, once he gets that murderous look in his eye and starts shooting the place up to protect his patch, it’s a bullet-ridden joy to behold.

THE WINNER

Got to be Bullet to the Head, with Sly’s vengeful hit-man narrowly defeating Arnie’s aging law-man on the anticipation front. But that’s just our opinion - let us know in the poll below which trailer you like best, and look out for The Last Stand in cinemas next January and Bullet in Feb.

Chris Tilly is the Entertainment Editor for IGN and hopes Arnie doesn't read. His idle chit-chat can be found on both Twitter and MyIGN.


Source : ign[dot]com

Friday, August 3, 2012

The Expendables 2 Videogame Review

When you and your bros go to watch The Expendables 2, the goofy Willis/Schwarzenegger/Van Damme trailers will have prepped you for what to expect: explosions, one-liners and cheese. When you go to play The Expendables 2 Videogame, the goofy title screen with its low-res text and lackluster animations will have prepped you for what to expect: explosions, a Stallone sound-a-like, and a four-player shooter that's just mediocre.

Through four chapters packing drop-in/drop-out online/offline co-op, The Expendables 2 casts you in the roles made famous by Sly Stallone, Jet Li, Terry Crews and Dolph Lundgren. Each character has a different armament (a pistol, SMG, shotgun and sniper rifle, respectively), and it's up to you to take them from Point A to Point B killing everything that moves (also known as enemies who are all dressed the same).

The Expendables 2 just doesn't click as a package.

It's your standard top-down arcade shooter. Rather than picking up power-ups, you pick up AKs and rocket launchers. There are collectable Expendables icons that fill in a meter and let you pull off Signature Kills, where the camera zooms in and shows your character impressively slitting a throat or blowing a dude away from pointblank range. Sometimes, you climb in a helicopter and shoot at ground troops via an onscreen reticle.

And then, you repeat this. Over and over again. If you're just looking to blow stuff up, it isn't a bad time; it just isn't an impressive time. The voice acting will make you chuckle (though Crews and Lundren lend their pipes), the story is non-existent, and the action turns to chaos in huge fights. Whereas Dead Nation and other top-down shooters put a laser sight on every weapon, The Expendables 2 doesn't. Stallone's shots just fly off into the distance; they're helped towards enemies in that direction, but picking off enemies on top of train cars and in elevated towers can be troublesome when you're on the ground.

However, that's really only an issue if you're playing on the Hardcore difficulty. Casual difficulty is nerfed to the point that I'd just run into the middle of enemy groups and start meleeing without a care in the world. On Hardcore, you're taken down quickly if you don't use cover, but taking cover feels weird in a run and gun arcade shooter.

The carrot on the end of the stick is that The Expendables 2 gets easier as you play. You kill stuff and earn XP that you can spend on upgrades for your weapons and attributes; but even these are basic and unsexy. If you want to throw an additional $3 into the game, you can max out all the characters before you even fire your first shot.

In-game, The Expendables 2 looks fine -- it's a bit barren when it comes to environments and textures -- but the general package and ambiance feels so cheap. All the fonts used for text in this game are jaggy, and the menu system has no flair. This is the most rudimentary looking game in terms of presentation I've played in my 5 and a half years at IGN.


Source : ign[dot]com